
He's British and he's got a guitar.
Check out his website: www.willknox.com
You can also see his myspace page: http://www.myspace.com/willknoxmusic
Never Letting Go
Capo on fret 2
Fsus2 looks like this: (It's a bar chord)
e-----1----
B-----1----
G-----2----
D-----3----
A-----3----
E-----1----
CHORUS:
G.....................................................C..............................................
Poke. Poke. The engagment is a joke joke joke jaja joke joke.
Am............................................. F.............................
Update your status, use the tagging apparatus.
Am.................................... G.................................C...........................
Stalk your ex-lover and go offline for cover....It's Facebook.
G..........................................................Fsus2...........................
1. I got home from school today and pulled up my profile.
G...........................................Fsus2...........................
I have a slow computer, so it's taking quite a while.
G....................................................................Fsus2...............................
Facebook makes a popping sound when someone wants to chat.
G................................................. ................Fsus2.......................C.......D...
I have to turn the volume down cuz my roommates don't like that. CHORUS
2. Shane got off his mission, he’s got 42 friends and counting.
He uses the “people you might know” tool and the number keeps on mounting.
His boss, his sister’s husband, some random guy named Tom,
the mailman some mission buddies, and Michael Phelps’ mom. CHORUS
3. New crush just accepted me. I click to see his page.
Check his wall, status, info, pictures and his age.
I looked at his relationship and to my dismay:
I thought he was into me, but dang it all, he’s gay.
Chorus':
Poke poke. It was only a joke joke joke jaja joke joke.
His roommates wrote the lies that had me traumatized.
He doesn’t really swing that way so don’t believe all that they say….on Facebook.
4. Facebook finally loaded. It took most of this song.
I have more than a thousand friends. If you think I’m lying you’re wrong.
Facebook is both a noun and verb as everyone can see.
The reason for the song I wrote is to tell you to facebook me. CHORUS
1. The travel by bikes and public transportation instead of a band van
2. They generate their own power for microphones and amps by pedaling a bike instead of using an outlet
3. They plant a tree for each CD they make
4. They are based out of a camping tent on the roof of a pink house in SanFrancisco's Mission District.
5. Their website is hosted with 100% wind & solar power by Thinkhost.
6. Their music ROCKS!
The Life of Mancini
Enrico Nicola Mancini was born in Cleveland, Ohio on the 16th of April in the year 1924 and died in Beverly Hills, California on June, 14 of 1994. (Spaceagepop) This film composer lived to be the ripe old age of 70 before the day he passed away after a struggle with cancer of the pancreas.
He grew up in West Aliquippa, Pennsylvania and there he started learning the flute and piccolo. Mancini attended the Carnegie Institute of Technology and then went to Julliard. (Spaceagepop) Mancini was drafted into the army for WWII, but managed to switch to the band. After he returned from service, Mancini joined Universal and stayed there for six years. (Imdb)
Mancini married Ginny O’Connor and fathered twin daughters, Monica and Felice, and a son named Chris. (Imdb)
Direct Quotes
*Mancini's knack with songwriting often overshadowed his talents as a composer. He wrote for a wide variety of genres, from western to slapstick comedy, from sensitive dramas to musicals. He often experimented with unusual instrumentation, such as a steam-driven calliope for "Baby Elephant Walk," the cymbalum in "Experiment in Terror," sitars and fuzz guitars in "Arabesque," and aboriginal percussion in his score for the television miniseries, "The Thorn Birds." – (Spaceagepop)
*Mancini--he of the gentle smile, the mellow demeanor, one of those not corrupted by Hollywood--was a unique crossover in what is normally a fairly secular profession. John Barry turned out terrific themes, Jerry Goldsmith created musical cues that were at once dramatic and melodramatic, and European emigres like Max Steiner and Erich Korngold reinvented classical symphonic music for the movies.
Works Cited